Think carefully, do you really want your book reviewed?

I’m reviewing books at the moment. It’s a challenge. Not because I don’t know how write a review, but because before I even sit down to read the book, I have to figure out whether I am the best person to write the review for it.

Those who know me personally will know that I am a fairly straightforward person. I say what I think. In fact, sometimes I only become aware of what I think when I hear the words coming out of my mouth. Writing at least provides me with a slight buffer between the thought occurring and me presenting it. I can consider the reviews I’ve written (at least I can now that I’ve learned not to review straight into the online forum, but rather write it out in Word, let it sit, then come back to it and post sometime over the following few days), before anyone else reads it.

When I first agreed to take on reviewing books, it did not occur to me that I would be required to engage in a degree of ‘reading between the lines’, or have to navigate the myriad of motivations behind the author’s request.

I thought, as some might, that having a book reviewed meant receiving honest (albeit subjective) feedback on technical aspects of the writing, as well as character development, plot, narrative flow, and if necessary, grammar and structure.

Reviews serve a dual purpose. They can offer constructive criticisms that give the author an opportunity to develop the work and build on their writing skills, particularly early in their writing career; and they provide prospective readers with an orientation to the work. No matter the experience level of the writer, reviews give an invaluable opportunity to continue to develop as a writer.

Reviewing, as with reading, is a very subjective thing. What one reviewer likes, another may hate. But one would assume that a reasonable reviewer is able to recognise a strong narrative and/or a quality piece of writing, even if the story line is not their cup of tea. One would also assume that authors seeking reviews do so with the expectation that the reviewer will be honest and give constructive (if not always diplomatic) feedback that the author may not necessarily like.

I guess it depends where you are on your writing journey as to what your understanding of the reviewing process is. Now I know I’m making a huge generalisation here, but my recent reviewing experience suggests that perhaps there exists a code of which I am not familiar.

When a writer says: “I’d love you to review my book ______. Could you publish your review on XXXX site when you can?”
They really mean: “I want you to hit 5 stars and write a few bland sentences saying what a fantastic book it is. Oh and you don’t have to spend time reading it. I just need the review.”

When they say: “I don’t need to study writing, I’m just a natural writer.”
They really mean: “Ignore the fact that the manuscript is riddled with grammatical and spelling errors and that the plot is unidentifiable or missing, I don’t care about that. My arrogance will carry the book and make me a motza.”

When they say: “Be as honest as you can.”
They really mean: “As long as you don’t say a critical word about it or it will crush my spirit and stop me from ever writing another word.”

But when they say: “What gives you the right to say my main character has no depth or substance? Who are you to tell me anything about my story? You don’t know anything about the character or story, you’re just the reader.”

… Um… okay… ? I’m just the reader? Well yes I am…

* Oh and if you want me to review your book, don’t ask me to do it if you are not prepared to receive honest constructive feedback. It’s a waste of the many hours I put into reading and considering all aspects of the book. And I’m getting cranky. The crankier I get the less diplomatic I tend to become. Be warned.

Reviling reviews

I’m reviewing books at the moment. It’s a challenge. Not because I don’t know how write a review, but because before I even sit down to read the book, I have to figure out whether I am the best person to write it.

Those who know me personally will know that I am a fairly straightforward person. I say what I think. In fact, sometimes I only become aware of what I think when I hear the words coming out of my mouth. Writing at least provides me with a slight buffer between the thought occurring and me presenting it. I can consider the reviews I’ve written (at least I can now that I’ve learned not to review straight into the online forum, but rather write it out in Word, let it sit, then come back to it and post sometime over the following few days), before anyone else reads it.

When I first agreed to take on reviewing books, it did not occur to me that I would be required to engage in a degree of ‘reading between the lines’, or have to navigate the myriad of motivations behind the author’s request.

I thought, as some might, that having a book reviewed meant receiving honest (albeit subjective) feedback on technical aspects of the writing, as well as character development, plot, narrative flow, and if necessary, grammar and structure.

Reviews serve a dual purpose. They can offer constructive criticisms that give the author an opportunity to develop the work and build on their writing skills, particularly early in their writing career; and they provide prospective readers with an orientation to the work. No matter the experience level of the writer, reviews give an invaluable opportunity to continue to develop as a writer.

Reviewing, as with reading, is a very subjective thing. What one reviewer likes, another may hate. But one would assume that a reasonable reviewer is able to recognise a strong narrative and/or a quality piece of writing, even if the story line is not their cup of tea. One would also assume that authors seeking reviews do so with the expectation that the reviewer will be honest and give constructive (if not always diplomatic) feedback that the author may not necessarily like.

I guess it depends where you are on your writing journey as to what your understanding of the reviewing process is. Now I know I’m making a huge generalisation here, but my recent reviewing experience suggests that perhaps there exists a code of which I am not familiar.

When a writer says: “I’d love you to review my book ______. Could you publish your review on XXXX site when you can?”
They really mean: “I want you to hit 5 stars and write a few bland sentences saying what a fantastic book it is. Oh and you don’t have to spend time reading it. I just need the review.”

When they say: “I don’t need to study writing, I’m just a natural writer.”
They really mean: “Ignore the fact that the manuscript is riddled with grammatical and spelling errors and that the plot is unidentifiable or missing, I don’t care about that. My arrogance will carry the book and make me a motza.”

When they say: “Be as honest as you can.”
They really mean: “As long as you don’t say a critical word about it or it will crush my spirit and stop me from ever writing another word.”

But when they say: “What gives you the right to say my main character has no depth or substance? Who are you to tell me anything about my story? You don’t know anything about the character or story, you’re just the reader.”

… Um… okay… ? I’m just the reader? Well yes I am…

* Oh and if you’d like your book reviewed, don’t ask me to do it if you are not prepared to receive honest constructive feedback. It’s a waste of the many hours I put into reading and considering all aspects of the book. And I’m getting cranky. The crankier I get the less diplomatic I tend to become. Be warned.

Facing the Dementors

For the uninitiated, Dementors are those ghastly demons who suck all the happiness out of you. They thrive on negativity and relentlessly instill unspeakable doubt in those upon whom they prey. They can impose the ‘kiss of death’ and suck the soul and very life out of their victims, leaving nothing but a zombie where once lived hope and passion and happiness. Dementors are, of course, the creation of Author JK Rowling for her Harry Potter series.

I refer to them here because I think there exists within the writing community a pack of Dementor-like creatures who prowl cyberspace looking for victims. You might recognise them if you have had a book published electronically. They the ones who target specific authors in specific genres and zoom in multiples times to slam the author’s ratings. They conduct campaigns to rate the book with one star, often offering no comments to back it up.

Reading and writing are very subjective things. What one person enjoys, another detests. It’s the same with any creative pursuit. People’s tastes and preferences vary hugely.
And to reflect this there is a great variety of work out there, as expected. But not all of it is as polished as it might be. I’d have no problem if when rating a book the reviewer offers constructive criticism. But the Dementors to which I am referring are not targeting the books they feel do not belong online. They offer no such criticism, if they review at all it mostly has nothing to do with the quality of the writing or the content of the book. It’s personal, and it’s nasty.

When people browse books online, they generally go for the highest rated or most downloaded. And it’s here to which the Dementors zoom. They band together to ‘mass rate’ with one star, thereby dragging down the book’s overall position―probably to improve the position of their own books which may be in direct competition to the targeted book.

Why? The best I can come up with is this issue of competition. And jealousy. Awful, huh? Many authors don’t have big publicity budgets behind them so rely on their own capacities to promote their work. And they work incredibly hard over long periods of times to create and distribute their work. As anyone who has ever written a book knows, an author is not made overnight. And despite rejection after rejection and suggestions to ‘get a real job,’ and general negativity ―often self-imposed― they persevere. That there are people who in the writing community who think the only way to succeed is to destroy someone else’s dream, is just miserable.

There are eBook distributors popping up across the cyber world as the popularity of ePublishing increases. Some are more vigilant than others at noticing the occurrence of this unethical and destructive practice. Smashwords recently deleted the accounts of those identified as participating in the practice and rectified the ratings. Other distributors are not so proactive. Authors need to be vigilant and notify their publisher and/or distributor if they become aware of the practice. Not just for their books, but for their writer colleagues as well.

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